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Khetsin Chuchan
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Contact

E-mail: khetsinchuchan@gmail.com

Instagram: @khetsin

Ensemble Laboratory

Facebook: @ensemblelaboratory

Khetsin Chuchan was born on 3 December 1997 and started learning piano at the age of eight with Aj. Saowalak Maitrechitt. In 2015 he enrolled in Bachelor of Music program at Princess Galyani Vadhana Institute of Music (PGVIM) where he studied piano with Frank Reich and now with Elissa Miller-Kay. At PGVIM Khetsin has participated in various music and academic activities. For example; academic presentation/showcase/performance at PGVIM International Symposium 2016 - 2018 and student project at SEADOM Congress 2017, Myanmar; performance at Art Space@SNU festival, Seoul National University, South Korea; and masterclasses with pianists such as Armen Babakhanian, Jacqueline Leung, Martin Widmaier and Tomasz Herbut.

Khetsin is interested in exploring creative process in music. He has participated in creative projects; ranging from community project (at Kalayani Vadhana District, Chiangmai Province and at Aksornsilp Camp at Tak Province) to interdisciplinary collaboration.

In 2018, Khetsin became a member of Ensemble Laboratory (EnLab), an ensemble with intention of being a creative platform for new generation of musicians to explore musical possibilities through collaboration with other art form and performance of new composition. With EnLab, Khetsin has taken part in many events - as a performer, improviser and composer - such as PGVIM International Symposium 2018 and Bangkok Art Biennale 2018 at Bangkok Art and Cultural Center.

Apart from music, Khetsin is interested in photography, writing, nature, and biology.

About
Previous Project

Bangkok Out of Doors, 2017

A Juxtaposition between Hungarian Rural and Bangkok Urban Experience

Living as a “Bangkokian”, I have many thing to speak about this city. After had learnt Bela Bartók’s Out of Doors, I discovered that Bartók held connection with the outer world very high. He didn’t only traveled throughout Hungary, Romania and Slovak in order to record folk music, but also believed in brotherhood among people especially the peasant; thus Bartók produced works of eclecticism and uniqueness. I was inspired by that point to connect Bartók’s world with mine, which is Bangkok, through video edited using footage of Bangkok; so as to provide a context for the piece and a more personal performance that infuses with personal experience.

More Information

bangkokoutofdoors

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